![Theatrum Orbis Terrarum [with:] Parergon, Sive Veteris Geographiae Aliquot Tabulae [and:] Nomenclator By Abraham Ortelius / Johannes Baptista Vrients](https://storage.googleapis.com/raremaps/img/small/92703.jpg)
First Edition, Second Issue. "A landmark in cartographic publication, for it is the first large modern atlas." (PMM, 91)
A wonderful example of the first edition second issue of Abraham Ortelius's Theatrum, one of the most important works in the Western Canon.
Ortelius's Theatrum Orbis Terrarum (or "Theater of the World") is widely considered to be the first true modern atlas. When it was published in 1570, the Theatrum was the best available summary of 16th-century cartographic knowledge, covering much of the exploration of the world in the century following the discovery of America.
The book's enormous importance in its own time is evidenced by its republication in 36 recorded editions, issued consistently from 1570 to 1612, and inconsistently to 1641. Its continued importance in more recent times has led to at least six facsimile editions being published. The broad appeal of the Theatrum saw demand from many consumers who preferred to read the atlas in their local language. Thus, in addition to Latin, the book was published with text in Dutch, French, German, Italian, Spanish, and English.
Ortelius was the artist of all of the maps; he drew them by hand, and those drawings were interpreted into prints by his engravers Frans Hogenberg, Ambrosius Arsenius, and Ferdinand Arsenius.
After Ortelius's death in 1598, the copper plates for his atlas passed to his heirs. They, in turn, sold the collection to Jan Baptist Vrients (1522-1612) in 1601. Vrients added new maps and published the atlas until his death in 1612. Vrients's widow then sold the plates to the Moretus brothers, who were the successors of Christoffel Plantijn.
The Printing of the First Edition of Ortelius's Theatrum Orbis Terrarum
Ortelius's Theatrum has its genesis in the 1550s when the merchant Gilles Hooftman was building a practical map collection. Hooftman had business concerns closely tied to international commerce and political and military events in Europe. Apparently, Hooftman found unrolling large maps to be unwieldy, so it was suggested to him by Jan Radermaker to bind his maps up in book form. When Radermaker befriended Ortelius in 1555, he evidently passed the task off to him. At the time, Italy was the center of global cartographic publishing, as only eight or nine maps had yet been published in the Low Countries. Therefore Ortelius ordered from Rome an "Italian Assembled to Order Atlas" (or "Lafreri School" atlas) with 38 maps. Radermaker recounted this story in a 1603 letter to Jacob Colius Ortelianus, who had wanted to know how his uncle came up with the idea for the Theatrum. (See, Peter van der Krogt, "The Theatrum Orbis Terrarum: The First Atlas?" in Abraham Ortelius and the First Atlas, page 61, 1998) Elsewhere it has been suggested that Gerard Mercator was the progenitor of the idea for the first standardized atlas, but that he held back from competing with Ortelius out of a spirit of friendliness. That being said, because of Mercator's work habits, he would not have been able to produce a work like the Theatrum by 1570, even if he had that in mind.
Van der Krogt (Abraham Ortelius..., page 65) further explains:
The first edition of the Theatrum is dated May 20, 1570 (vdK 31:001). It had been finished the year before, as appears from the privileges by the Brabant Council and the Privy Council from respectively February 21 and October 23, 1569. The basis for the first edition of the Theatrum, with 53 maps, is formed by the 38 maps of the atlas which Ortelius had composed for Hooftman.
The first edition of the Theatrum was printed at Ortelius' own expense by Egidius (Gielis) Coppens van Diest, an Antwerp printer who had experience with printing cosmographical and cartographical works. From 1539 onwards, Van Diest had printed various editions of Apianus' Cosmographia, edited by Gemma Frisius, and in 1552 he printed the small atlas of Honterus, Rudimentorum Cosmographicorum... Libri IIII.
It is interesting to reflect on the direct connection between Ortelius's Theatrum and the Italian composite atlases that preceded it. Those earlier works are often thought of as the spiritual antecedents of the Low Countries' atlas tradition, but this story of direct influence is not well known outside of a few scholarly works.
Differentiating the 1570B Edition
According to Van Den Broecke, the Theatrum was issued in at least four different configurations in its first year of publication. These are commonly categorized as the 1570A, B, C, D states. In addition to these, there are also hybrids, combining plates and text settings from multiple standard variations.
Van Der Krogt (IIIA, 31:001B) provides an extensive list of changes between these variants. The present atlas accords with all of the requirements for a 1570B first variant, except for two points noted below; the following is an incomplete list of those issue points:
- The colophon reads "M.D.LXX."
- The Catalogus Auctorum includes 92 author names. Interestingly, in this example, some of those author names have been carefully but comprehensively altered by a contemporary hand.
- The last line of text for f. A4r reads: modum... vel/mi-
- The last line of text for f. A4v reads: uania... qui/ est f
- The verso text for maps 18, 20, 23, 28, and 31 are all in the first variant of 1570B text settings.
Variations from 31:001B1
- The title page verso text matches 31:002, i.e., Epigram of 16 lines and Greek poem of 4 lines. Van Der Krogt notes that this is also the case with Brussel KB II, which is classed as a 31:001B
- The verso text for map 24 (Franconia), is the second of three variants seen in the 1570B. 4th line, 2nd word: Wirtzburg in roman type, not italic.
Rarity
Van Den Broecke states that 100 copies of the 1570B were printed.
In Koeman's Atlantes Neerlandici IIIA, Peter van der Krogt records the following examples of the 1570B: *Amsterdam UB II, 1802 A 14; *Antwerpen PM II, A 3802; *Berlin SB, 2° B 128 (31:001B+010); *Braunschweig SB, M 221 2°; *Brussel KB II, C.& P. IV 2262; *El Escorial, 69 V 4; Helsinki AEN, 163; *Leeuwarden PB, J 77 kluis; *London BL III, Maps C.2.c.3; *Madrid SGE, nr. 5; *Paris BMaz I, 4871A; *idem II, 4897 Rés.; *Portland USM, O-14; *Providence JCB, Z 077 1570 2 2-size; *Strasbourg BNU II, R 211; *Washington LC II, G1006.T5 1570b Copy 3 Vault (Phillips 374) (31:001B+010+020+030+040+050). Thus 15 examples, of which 3 are in the United States.
Ortelius's Theatrum Orbis Terrarum (or "Theater of the World") is widely considered to be the first modern atlas, meaning that this was the first published set of uniform maps with supporting text gathered in book form. Previous bound map collections exist, for example the Italian Lafreri atlases, but these were sets of maps selected and bound together on demand. The Theatrum, in contrast, was the best available summary of sixteenth-century cartographic knowledge, covering much of the exploration of the world in the century following the discovery of America.
The atlas was first published in 1570 in Antwerp. Ortelius’ atlas outperformed later competing atlases from other cartographic luminaries like the De Jode and the Mercator families. The broad appeal of the work is demonstrated by the array of languages in which the atlas appeared: in addition to Latin, the atlas was published with text in Dutch, French, German, Italian, Spanish, and English. Between 1570 and 1612, at least 31 editions of the atlas were published in seven languages. The editions grew over time, with the first edition having 70 maps on 53 sheets, and the 1612 edition having 167.
At the time of its publication, the Theatrum was the most expensive book ever produced. Ortelius created all the maps personally, hand drawing the rough sketches. Those drawings were then interpreted into prints by his engravers Frans Hogenberg, Ambrosius Arsenius, and Ferdinand Arsenius.
After Ortelius's death in 1598, the copper plates for his atlas passed to his heirs. They, in turn, sold the collection to Jan Baptist Vrients (1522-1612) in 1601. Vrients added new maps and published the atlas until his own death in 1612. Vrients's widow then sold the plates to the Moretus brothers, who were the successors of Christoffel Plantin. Recent research has unearthed examples of the atlas with maps dated to 1640.
Abraham Ortelius is perhaps the best known and most frequently collected of all sixteenth-century mapmakers. Ortelius started his career as a map colorist. In 1547 he entered the Antwerp guild of St Luke as afsetter van Karten. His early career was as a business man, and most of his journeys before 1560, were for commercial purposes. In 1560, while traveling with Gerard Mercator to Trier, Lorraine, and Poitiers, he seems to have been attracted, largely by Mercator’s influence, towards a career as a scientific geographer. From that point forward, he devoted himself to the compilation of his Theatrum Orbis Terrarum (Theatre of the World), which would become the first modern atlas.
In 1564 he completed his “mappemonde", an eight-sheet map of the world. The only extant copy of this great map is in the library of the University of Basel. Ortelius also published a map of Egypt in 1565, a plan of Brittenburg Castle on the coast of the Netherlands, and a map of Asia, prior to 1570.
On May 20, 1570, Ortelius’ Theatrum Orbis Terrarum first appeared in an edition of 70 maps. By the time of his death in 1598, a total of 25 editions were published including editions in Latin, Italian, German, French, and Dutch. Later editions would also be issued in Spanish and English by Ortelius’ successors, Vrients and Plantin, the former adding a number of maps to the atlas, the final edition of which was issued in 1612. Most of the maps in Ortelius' Theatrum were drawn from the works of a number of other mapmakers from around the world; a list of 87 authors is given by Ortelius himself
In 1573, Ortelius published seventeen supplementary maps under the title of Additamentum Theatri Orbis Terrarum. In 1575 he was appointed geographer to the king of Spain, Philip II, on the recommendation of Arias Montanus, who vouched for his orthodoxy (his family, as early as 1535, had fallen under suspicion of Protestantism). In 1578 he laid the basis of a critical treatment of ancient geography with his Synonymia geographica (issued by the Plantin press at Antwerp and republished as Thesaurus geographicus in 1596). In 1584 he issued his Nomenclator Ptolemaicus, a Parergon (a series of maps illustrating ancient history, sacred and secular). Late in life, he also aided Welser in his edition of the Peutinger Table (1598).