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Description

The First Map Dedicated to the Continent of North America [with] An Important Early Map of Scandinavia and the Baltic Region

Nice example of Bordone's maps of the East Coast of America and the mythical island of Brasile and Asmaide, with a map of Scandinavia and the Baltic on the verso, one of the earliest obtainable printed maps of each of the regions.

The map which includes the name "Terra de lavoratore" at the top center is generally regarded as the first map to focus solely on North America. Covering what was intended as the entirety of the east coast of North America, the map was drawn from early Spanish and Portuguese sources and includes several place names. The name "Terra de lavoratore" is based upon the Voyages of João Fernandes of the Azores, who travelled to Cape Farewell in Greenland in 1500).  In addition to the New World, the Azores are named, as are the mythical islands of Brasile and Asmaide.    

As described by Thomas Suarez in Shedding The Veil, this map indeed represents the entirety of North America, making it the first printed map solely dedicated to the continent. The map features a sea strait, labeled "Stretto," which divides North America from South America. When incorporating the isolated map of Lavoratore into Bordone's world map, as intended, this strait is situated at approximately 10 degrees North latitude. South of this strait lies the "Parte del Novo Mondo."  The title "Terra de Lavoratore" originates from the nickname of João Fernandes, a Portuguese-Azorean adventurer who reached Greenland in 1500 and was known as "el lavrador." According to Suarez, Fernandes may have embarked on western voyages under the Portuguese flag as early as Columbus did under the Spanish flag.

The "Scandinavia & Baltic Map" perpetuates the myth that Greenland was attached to Scandinavia. The map locates a number of recognizable place names, including Norbegia (Norway), Gottia (Gothia), Livonia, Datia (Denmark), and Engronelant (Greenland).  The Scandinavia map is still based on the shape of Nicolaus Germanus Donis.

Benedetto Bordone (1460-1531) was a manuscript editor, miniaturist, and cartographer, from Padua, in the Republic of Venice.  His most famous work is the Isolario ( The Book of Islands, "where we discuss about all islands of the world, with their ancient and modern names, histories, tales and way of living...") in which he describes all the islands of the known world with their folklore, myths, cultures, climates, situations, and history. It is intended as an illustrated guide for sailors and attempts to include all the new transatlantic discoveries.

The text on the American map sheet describes the Land of Labrador, newly discovered by the Spaniards and Portuguese, noting as follows:

To this reasoning of mine, I will add the islands newly discovered by the Spaniards and Portuguese, among which there is one, named the Land of Labrador, which is located in the western ocean sea, to the northern part, and from Hibernia to the west, it is distant one thousand and eight hundred miles, extending westward two thousand miles and then turning south-west in such a way that it forms a channel with the new world, which is seen from east and west with the Strait of Gibraltar. And this part, which inclines, has a length of one thousand miles, and according to what navigators up to now have been able to understand from the islanders, because no person has been there, it is very well inhabited, and there are well-proportioned men, and in their appearance, they are gentle and shy, with their faces (like Indians) marked, some with six and some with eight signs, and more and less, as they prefer, dressed in the skins of various animals, but most of their garments are made of otter skins without any seams, and as they strip them from the animal, so they wear them. And in winter, they place the fur towards their flesh, and in summer, they do the opposite, but the parts that must be covered for modesty, they tie with very strong fish nerves. And dressed in this manner, they seem like wild men to see. These have their own language, they have no iron, but with some tools, they cut and shape their wood to make their buildings, which are made of very tall wood, and covered with fish skins, in such a way that they do not fear the water that falls from the sky. In this sea, there is such an abundance of fish, especially stockfish, salmon, and herring, that it is truly unbelievable, from which not only do men live but also wild animals, especially the bears, which enter the sea, walk on them, feed on them, and having eaten, with almost dry feet, return to the land. Here grow very tall pines, to make ship masts, and it is in the ninth climate at the twentieth parallel, and its longest day is eighteen hours.

Historical Overview of Isolario Mapping

The isolarii, or "island books," emerged as a fascinating and enigmatic genre during the Renaissance. These works do not fit neatly into the conventional categories of map or chartmaking, but instead represent a unique "underground" geographical culture. Flourishing in the experimental and tolerant climate of the Renaissance, isolarii played an integral role in the early development of the history of cartography.

Historians of cartography have offered varied interpretations of the isolarii, reflecting their complex and multifaceted nature. Some view them as early regional island atlases, while others categorize them as emerging from the travel literature or as products of the geopolitical context of the Aegean islands, Crete, and Cyprus. Additionally, isolarii have been seen as expressions of Renaissance individuality, primitive tourist guides, and carriers of political content. These diverse interpretations highlight the genre's position at the crossroads of geographical, historical, travel, and nautical literature.

  • The Genre of Isolario

Isolario refers to manuscript or printed atlases, typically comprising maps of islands and sometimes coastal areas, organized thematically. These works, often described as "books of islands" or "island navigations," evolved from the geographical traditions of the ancient world, where islands held a significant place in geographical literature. The isolario can be seen as a cosmographic encyclopedia of islands, fulfilling various learned, practical, and informational needs from the early fifteenth to the late seventeenth centuries.

Travelers' memoirs, chronicles of sea voyages, and military accounts often influenced isolarii, contributing to their content and shaping their form.  The isolario, with its maps and encyclopedic nature, represents a specific genre that thrived in the Mediterranean, particularly in Florence and Venice.

  • The Birth of the Genre: Florence, Fifteenth Century

The isolario genre was born in the fertile intellectual environment of early Florentine humanism. The first significant work of this genre was Cristoforo Buondelmonti's Liber insularum archipelagi, created around 1420. This work, which includes maps and descriptions of seventy-nine places in the Ionian and Aegean seas, reflects the geographical interests of Florentine humanists. Buondelmonti's isolario combines historical geography and personal travel narrative, offering a rich tapestry of mythological, historical, and contemporary observations.

Buondelmonti's work set the template for future isolarii, blending cartography with narrative descriptions and personal anecdotes. His maps, though not always accurate, were among the first to systematically depict the Greek islands, influencing subsequent cartographers and isolarii authors.

  • The Golden Age: Venice, Sixteenth Century

The invention of printing significantly expanded the audience for isolarii. One of the first printed isolarii was Bartolommeo dalli Sonetti's Isolario, published around 1485 in Venice. This work, containing forty-nine maps and accompanying sonnets, marked a new phase in the genre's development. Bartolommeo's isolario, influenced by Buondelmonti's earlier work, catered to both scholarly and popular interests, combining practical navigational information with poetic descriptions.

The sixteenth century saw further developments in the genre, with works such as Benedetto Bordone's Libro... de tutte l'isole del mondo (1528), which aimed at a broader readership. Bordone's isolario, with its 111 maps, provided both practical information for mariners and enjoyable reading for the general public. This period also witnessed the rise of nautical isolarii, exemplified by the Turkish admiral Piri Re'is's Kitab-i bahriye, a comprehensive and detailed navigational guide to the Mediterranean coasts and islands.

  • Benedetto Bordone

Benedetto Bordone further transformed the isolario genre with his Libro... de tutte l'isole del mondo, first published in Venice in 1528. Bordone's isolario contained 111 maps, 62 of which depicted Greek islands, heavily influenced by earlier works of Buondelmonti and Bartolommeo dalli Sonetti. Bordone aimed his work at a broad, nonspecialist readership, blending practical maritime information with entertaining historical and mythological narratives. His work went through numerous editions, underscoring its popularity and impact.

Bordone's work was also notable for expanding the scope of the isolario far beyond the traditional waters of the Mediterranean and Aegean, introducing the genre to the North Atlantic, Caribbean, African and Asian Coastlines and featuring many important firsts, including the notably the first mapping of Japan.   Bordone was the first isolario publisher to truly see the genre as a means of depicting the entirety of the known world.

Reference
Suarez, Shedding the Veil, 18. Burden, P.D. #8; Manasek, F.J. (Collecting) #7; Ginsberg, W.B. (Septentrionalium) #8.
Benedetto Bordone Biography

Benedetto Bordone (1460-1531) was a polymath who was born in Padua and worked in Venice. He was an illuminator, engraver, miniaturist, editor, and geographer. It is possible he made the first globe in Italy. His most famous work is the Isolario, or Book of Islands, which included many of the earliest printed maps of islands in the New World.

Bordone, a prominent Venetian manuscript editor, miniaturist, and cartographer, was born in Padua, a city that was then part of the Republic of Venice. Although his exact date of birth remains unknown, historical records indicate that his parents married in Padua in 1442, and he himself was married in 1480. Bordone's contributions to the field of cartography, particularly through his seminal work, Isolario, have cemented his legacy as a pivotal figure in the Renaissance cartographic tradition.

Bordone's most renowned work, Isolario (The Book of Islands), printed in Venice in 1528, is a comprehensive compilation that describes all the known islands of the world. The book offers detailed accounts of each island's folklore, myths, cultures, climates, geographical situations, and historical narratives. It stands as a testament to the popularity of the isolario genre in 15th and 16th century Italy and serves as an illustrated guide for sailors, incorporating the era's latest transatlantic discoveries.

One of the notable features of Isolario is an oval depiction of the world, a map type invented by Bordone. This innovation was later formalized into the equal-area elliptical Mollweide projection three centuries afterward. Bordone's map portrays a distorted view of the New World, showing only the northern regions of South America and depicting North America as a large island labeled Terra del Laboratore (Land of the Worker), a likely reference to the region's active slave trade during that period, which also influenced the name Labrador.

The book also contains the earliest known printed account of Francisco Pizarro's conquest of Peru, making it a significant historical document. Among the numerous woodcut maps included in Isolario, twelve are dedicated to the Americas. These maps feature a plan of "Temistitan" (Tenochtitlan, modern Mexico City) before its destruction by Hernán Cortés, and a map of Ciampagu, the earliest known European-printed map of Japan depicted as an island.

Benedetto Bordone's familial connections are also of interest; he is reputed to have been the father of Julius Caesar Scaliger, a noted classical scholar, and the grandfather of Joseph Justus Scaliger, who is recognized as the founder of the science of historical chronology. The original maps from Bordone's Isolario are highly valued today for their historical significance and intricate craftsmanship. Through his work, Bordone has left an indelible mark on the history of cartography, providing invaluable insights into the geographical knowledge and cultural perceptions of his time.